UnWritten Switzerland

A Second Life, Slowly Revealed

A milestone birthday becomes an unfolding mystery - where fragments of memory, speculation, and past events begin to reveal a hidden life beneath the familiar.

Context

Private residence, Switzerland
Close group (friends and family)
Birthday event (milestone age)

Brief

Design an experience that would:

• Center around one individual (the host)
• Engage close friends and family in a meaningful way
• Create interaction beyond a standard celebration

No performance. No scripted roles.

Approach

Focused on the person rather than the space.

Mapped:

• Shared history between participants
• Recurring past events, anecdotes, and inconsistencies
• How different people perceived the same moments

Built a narrative that would reinterpret real memories through a new lens.

Design

• A double-life premise: the host is believed to have a second, unknown profession
• Clues embedded in:
    • The home environment
    • Personal objects
    • References to past shared events
• Information distributed unevenly across participants
• No assigned characters - all insights emerge from real relationships

Experience Flow

Unannounced start: subtle suggestions raise the possibility of a hidden life
Premise forms: the group begins to consider that the host has another profession
Reconstruction: past events are revisited and reinterpreted (lateness, absences, specific knowledge)
Exploration: guests search the space and connect physical clues with shared memories
Exchange: stories are compared, challenged, and expanded
Convergence: multiple interpretations narrow toward a coherent theory

Turning Point

Participants stopped treating memories as fixed - and began actively reinterpreting their shared history.

Outcome

• High emotional and intellectual engagement
• New perspectives formed within existing relationships
• Strong group interaction without facilitation
• A sense of discovery centered on a real person, not a fictional construct

Closing

Built entirely from the people in the room.
No external narrative required.


No two groups would have experienced the same narrative.
This one could only have happened there—and with them.


Goshen Studio

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